In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Chris Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. B...(展开全部)

In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Chris Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. B...(展开全部)

All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)

舍甫琴柯1930年出生于苏联乌克兰的一个医生的家庭。1954年于莫斯科国际关系学院毕业后作为研究生继续进修，1956年进入苏联外交部国际组织司工作。因颇受葛罗米柯的赏识，很快出任苏联驻外使团中的高级职务。他曾任葛罗米柯的顾问。最后于1973年出任联合国副秘书长。1975年，他在联合国副秘书长任内投靠美国中央情报局，沦为该局的特务，为美国窃取了大量有关苏联内政外交的机密情报。1978年，舍甫琴柯正式叛逃，在美国定居。

All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)

美国文学评论界的领军人物，被称为当代极为优秀、敏锐的诗歌评论家之一。她于1933年出生于马萨诸塞州，1960年获得哈佛大学文学博士学位，先后在康奈尔大学、波士顿大学等大学任职。1984年开始在哈佛大学英语系任教，兼任美国艺术与科学研究院院士。1990年，被任命为哈佛大学亚瑟•金斯利•波特讲座教授。文德勒专注于诗人和诗歌作品的细读，被誉为具有“铁血战士般的战斗力”，是一位“力量型的诗歌读者”。她多年来笔耕不辍，推出多部关于英美诗人的专著，因为卓越的贡献，获得了美国最高人文成就的国家人文基金等无数荣誉和奖项。

Here Kristin Thompson 'defamiliarizes' the reader with eleven different films. Developing the technique formulated in her Eisenstein's 'Ivan the Terrible', she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the ...(展开全部)

Here Kristin Thompson 'defamiliarizes' the reader with eleven different films. Developing the technique formulated in her Eisenstein's 'Ivan the Terrible', she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the ...(展开全部)

罗伯特•K.默顿（1910—2003）美国著名社会学家、科学社会学奠基人、结构功能主义流派代表人物之一，出生于费城，1931年获坦普尔大学学士学位，随后进入哈佛大学，师从社会学名家索罗金、帕森斯及科学史家萨顿，1936年获得社会学博士学位，先后在哈佛大学、图兰大学和哥伦比亚大学任教，曾任美国社会学学会主席（1956—1957），并当选美国科学院院士，代表著作有《十七世纪英国的科学、技术与社会》（1938/1970）、《大众信念》（1946）、《社会理论和社会结构》（1949/1968）、《在巨人的肩膀上》（1965）、《论理论社会学》（1967）、《科学社会学》（1973）、《社会学的矛盾选择及其他文集》（1976）、《科学社会学散忆》（1979）、《社会研究与从事专门职业》（1982）等。